Artificial Unintelligence

A Deer In Headlines II SPECIAL EDITION

By Gery Deer  

This work appeared in print and online, May 19, 2023 – Xenia Daily Gazette, Xenia, Ohio, and affiliated publications.

EDITORIAL NOTE:

The Jamestown Comet.com and Deer In Headlines II are publication products of GLD Enterprises Communications, Ltd. (GLD Communications), a company founded in 1998 on providing Information Technology AND Freelance Journalism, Copywriting, and Public Relations services. The column author, Gery L. Deer, is the company owner and CEO. Gery has been quoted in the media multiple times regarding his position on AI content creation. Here are the Dayton Daily News pieces noting his statements regarding Public Relations and Copywriting.

Our official statement on AI is as follows: We do not use AI programs to create our products, nor will we in the future. We are in full support of the WGAW strike, both in regard to streaming and other platform pay issues and the use of AI-generated material to replace them. We will not work with agencies who produce AI content, nor will we support their products or services. Please contact our office for more information at 937-675-6169 or email gdeer@gldenterprises.net.

Artificial Unintelligence

From congressional hearings to the picket lines of striking screenwriters, Artificial Intelligence, or “AI,” is a growing concern. This technology now affects nearly every industry and is advancing in sophistication. Of major concern to educators, professional writers, and content developers, are AI writing programs like ChatGPT. By the way, the program’s full name is “Chat Generative Pre-Trained Transformer” – I know, right? 

As you might guess, I’ve been asked repeatedly if I ever use AI to write this column. With obstinate conviction, I say now and for always, I do not now, nor will I ever use AI to write anything for this column, for my publishers, for my communications clients, nothing – ever. 

Now the Gen Zs and Millennials are probably saying, “he’s just a crotchety old white guy who hates technology.” Nonsense! As a matter of fact, my educational background is in engineering and computer science. I started programming computers in high school and worked in the tech industry for many years. I have a few AI devices in my office and a lot of advanced equipment for creating and editing audio and video productions. Suffice to say, I’m no Luddite. 

My concern with AI writing generators isn’t the technology. In fact, I can see where it could really be helpful in some industries, with human guidance. But the idea that it should be used to replace professional writers to save money is just ridiculous. 

A professional writer doesn’t just chuck out any old bunch of words that fit a set of parameters. Writers must craft their message based on the intent, the audience, the purpose, and the desired outcome. Not to mention that AI programs don’t have to worry about paying the mortgage, feeding a family, or having a purpose in life. 

In 1967, the original Star Trek TV series aired an episode called, “The Ultimate Computer” wherein the Starship Enterprise had been fitted with a highly sophisticated AI computer that would take over the ship’s operation, rendering the crew unnecessary. In one pivotal scene, the computer informs Captain Kirk that he is “non-essential personnel,” causing him to question his position and future relevance. 

Always the conscience of the show, Dr. McCoy, in an effort to console the Captain, reminds us, “We’re all sorry for the other guy when he loses his job to a machine. But when it comes to your job, that’s different.” It might be a science fiction show, but McCoy was spot on.

Predictably, the computer malfunctioned, killing hundreds of people and Kirk outmaneuvered the computer’s logic to save the day. The moral of the story was that computers make efficient servants, but lack the intent, humanity, conscience, understanding, or compassion needed to really replace us.

 Today, many professional creative jobs may be facing the kind of fate factory workers did some 30 or 40 years ago when they were replaced by robots and computer-controlled manufacturing systems. The main difference this time is that creative professions like writers, artists, graphic designers, and filmmakers are harder to automate. Yes, they can generate similar work, but there’s no human inspiration behind it. 

One day, AI may advance to the point where it achieves consciousness, allowing for creative inspiration. But for now, despite what the developers say, I think spontaneous creativity is well beyond its grasp. Without human inspiration and personal experience, the words are empty, the art expressionless, and the designs meaningless. 

I don’t know where AI is going, but I know I won’t be helping it get there. Unlike some digital marketers and other agencies out there, I can’t, in good conscience, use AI generators to produce my work, then charge a client for it. That’s like letting someone else do your homework but still accepting a good grade. It’s fraud, plain and simple – even if you tell them you’re doing it.

We have no idea how AI will affect future jobs or industries, the legal or ethical issues, or which advances will forever change them. Maybe AI will make us all obsolete someday and terminate all of us. Till then, I’ll keep writing so look for me next week because to quote another AI, “I’ll be back.”

Disclaimer: This work is copyright 2023 by GLD Enterprises Communications, Ltd. All Rights Reserved. The Deer In Headlines II and its Special Edition series is a production of The Jamestown Comet, Gery L. Deer, and GLD Communications and does not necessarily reflect the views of our advertisers, publishers, clients, or media partners.

Professor, Humanitarian Joe Weston’s New Book, “Fierce Civility,” Offers Resolution Through Hope

WASHINGTON, May 16, 2023 /PRNewswire/ — Joe Weston is an author, lecturer, facilitator, and most importantly a humanitarian, someone whose deep belief in the potential of society led him on a lifelong journey to improve it. In his latest book, “Fierce Civility – Transforming Our Global Culture From Polarization To Lasting Peace,” Weston shares with readers a clear pathway into a dynamic new human story, with hope at its foundation.

Author/Coach Joe Weston – Fierce Civility – Transforming Our Global Culture From Polarization To Lasting Peace

An Amazon #1 bestseller, “Fierce Civility – Transforming Our Global Culture From Polarization To Lasting Peace,” draws upon the author’s more than 30 years of experience in the areas of conflict resolution and prevention, leadership, stress management and communication to provide a pathway to peace and, what Weston calls, “courageous self-reflection.”

Weston believes, “We live in a disproportionate society, technologically over-fed and spiritually malnourished. A human family whose global heart is unwell, the result of a system out-of-balance.”

Raised in Queens, New York, Weston grew up in an environment where conflict was resolved by argument. As an adult, he moved to the Netherlands for nearly two decades and studied a level of human solidarity that transcends borders, nationality, race, religion, political ideology, and economic status. This led him to create a series of stress-mitigating programs in the United States, Europe, and some of the most divergence-ridden regions of the world.

“New resilient solutions must have “coding” from diverse voices. Because everyone feels these solutions have a signature of their voice,” Weston said. “Then all involved will work together to make those solutions flourish.” 

With a focus on empowerment and leadership, Weston’s methods have been utilized by organizations worldwide including NASA, The World Bank, PBS, Booz/Allen/Hamilton, and Oxfam. But some of his most valued accomplishments have been helping severely wounded U.S. combat veterans deal with PTSD. He teaches them to regulate their nervous systems, communicate, and sometimes helps pull them back from the brink of suicide.

He has also worked with various social and justice groups in the United States and as a volunteer facilitator for the Liberation Prison Project, teaching meditation and leadership to inmates. Internationally, he has served as an educator and advocate to help Middle Eastern men shift the viewpoints of other men regarding women’s rights.

“After spending billions on research projects to intellectually and technologically solve our world problems, as long as we’re in this high state of dis-regulation, none of these great solutions will take root,” he said.

Regarding the book Weston noted, “I would like people to read this and say, ‘Wait, I see there might be a pathway to hope. I would like people to find their own sense of resilience and their authentic voice.” “Fierce Civility – Transforming Our Global Culture From Polarization To Lasting Peace,” is published by Heartwalker Press, Washington D.C. The book and more information about Joe Weston’s lectures and peace projects are available at the author’s website, www.joeweston.com.

700 Words

Deer In Headlines II

By Gery L. Deer

A few weeks ago, I appeared on a local television program to promote this column. During the 3-minute interview, the host was surprised to learn that Deer In Headlines II is – and has always been – exactly 700 words in length.

Unfortunately, limited time prevented a deeper dive into such a precise word count. But the conversation made me realize, though you may be a regular reader, you may not know much about how all this works. So, here’s a look at how it all comes together.

First, riddle me this. What’s the difference between a writer and a pizza delivery person? The answer – a pizza delivery person can feed a family of four. Yes, I know, terrible joke, but not entirely inaccurate.

I’ve heard it said that writing for a living is like having homework every day for the rest of your life. That wasn’t far off either. Writers are romanticized in movies and TV. We’ve all seen images of the Hemmingway wannabes, huddled over an old IBM Selectric (go look it up), pecking out the next great American novel. It’s all so dramatic – and all such nonsense. I’m sure some see themselves that way, we scribes can be a self-absorbed lot for sure. But that is certainly not me.

I’m not a novelist, though I have a couple of manuscripts in a drawer somewhere. My work is focused on non-fiction, freelance journalism, copywriting, and public relations. Sometimes I do get to work in my fuzzy slippers, but most days I go to an office and sit at a desk. I also traded in my manual typewriter for a MacBook Pro – much easier to fit in a messenger bag.

I am the founder and creative director of a public relations and media production firm and, although I might own the place, I’m not my own boss. That’s a load of nonsense. I have a dozen bosses, and they all pay my salary – they’re called clients. When I’m asked, “Are you a professional writer,” the answer is a resounding yes, though it didn’t start that way.

In college, I was an engineering and computer science student but worked for my college newspaper as a staff writer, eventually earning the senior editor position. I even stayed on after graduation to handle the summer editions. My coursework always included English composition, communication, and classical author studies like Charles Dickens and D.H. Lawrence.

When I started the original Deer In Headlines, some 15 years ago, my inspiration came from the news. Today, that inspiration comes from people, their struggles, achievements, interests, convictions, and feelings. Most of the time it all starts with a tiny glimmer of an idea; that word, or phrase that just won’t leave me alone. As it becomes something more substantial, I write down what your grade-school English teacher might have called, “the main idea.” Oddly enough, that often becomes the headline.

Then I sit down with my laptop, or sometimes just paper and pencil (not a pen), and see where the idea takes us. I say “us” because you, my audience, are there with me – following the words as they paint a picture of my thoughts and feelings about a subject that I hope will give you food for thought, inspiration, hope, or whatever might help you at that moment.

I will never use an AI (artificial intelligence) writing program. Because, if my work is to have meaning, there must be a human mind and heart behind the keyboard. When you read this, what you get is all me, like it or not.

Before I close, I don’t want to leave you without answering the original question. Why 700 words? I wish I could give you some deep, philosophical, or even technical answer. Within the first year, the original DIH series just worked out and it became a clear goal each week. It also fits nicely in the print layout, and you can easily read it in just over 2 minutes, then get on with your life. But I hope you take away something useful out of these 700 words every week and please know that I thoroughly appreciate your time and attention.

Let Your Light Shine Again

Deer In Headlines II

By Gery Deer

Insecurity affects people in different ways, from a simple annoyance to debilitating anxiety. It can be especially jarring when you were just there, doing your thing, and then, out of the blue, something rocks your confidence. Insecurity generally occurs when we compare ourselves to others, giving in to the ridiculous and constantly varying standards set by society.

The 1942 children’s book, “The Little Red Lighthouse and the Great Gray Bridge,” by Hildegarde H. Swift and Lynd Ward, has been an inspiration to children around the world. Myself included. I learned to read very early because of this book but, for me, its influence was far more literacy. The story itself, one of self-worth and perseverance, was also something to which I gravitated.

“The Little Red Lighthouse and the Great Gray Bridge,” is a simple story about a real lighthouse that sits on the banks of the Hudson River in New York City. As described in the book, “It was round and fat and red. It was fat and red and jolly. And it was very, very proud.”

Anthropomorphized in the story, the Lighthouse’s self-confidence stemmed from its own sense of importance in keeping boats safe along the river. Every night it flashed – one second on, two seconds off, with a big fog bell outside that clanged, “warning,” during bad weather.

The Lighthouse was originally built in 1889 as the North Hook Beacon, in Sandy Hook, New Jersey. In 1917, the lighthouse was shut down, but it wasn’t quite finished working yet. Four years later, it was moved to its current location in Manhattan’s North Washington Park in an effort to improve navigational support along the river.

Early in 1927, however, work began on the great span of the George Washington Bridge, directly behind the Lighthouse. By 1948 it was felt the bridge lighting overcast any need for the smaller light on the river and The Little Red Lighthouse was extinguished – seemingly forever.

Paralleled in the story, when the Lighthouse saw the large beam of light from atop the tower of the Great Gray Bridge, it was left feeling small, insignificant, and unimportant. At the same time, something had delayed the man who came every night to turn on the light. The Lighthouse felt abandoned and no longer needed.

Later, as a terrible storm came in, the Bridge called down, “Little Brother, where is your light?” The Bridge explained its duty to the ships of the air, but the Lighthouse was still important to safeguard the boats. Eventually, the caretaker arrived and turned on the gas, allowing the Lighthouse’s beam to shine brightly once more.

In reality, the Lighthouse was slated for demolition. But, in 1951, thanks to the popularity of the children’s book, an unprecedented public outcry to preserve The Little Red Lighthouse led the U.S. Coast Guard to deed it to the New York Department of Parks and Recreation. Nearly three decades later, it was added to the National Register of Historic Places and eventually designated a protected landmark of New York City.

Now safe in the shadow of the Bridge, the Lighthouse story’s simple message of self-worth was one that has resonated with people for more than 70 years. We all need it to feel relevant and valued but anyone can suffer from insecurity at some point. 

Like the Lighthouse, any of us can be unsure of our place in the world, comparing ourselves to those around us who seem bigger and better. Feeling irrelevant can be devastating.

That feeling, caused or fueled by deeply-rooted insecurity can sabotage the confidence of even the most self-assured person. And, sometimes we need a “Big Brother,” like the Bridge, or someone else we admire or respect to hold a mirror up for us so we can see our real value. That’s something my own Big Brother has done since I was very small, and, even as an adult, I still turn to him sometimes for that reassurance.

No matter how insignificant we may feel sometimes we all have something to offer. Just remember the courage of “The Little Red Lighthouse,” look for that one spark of inspiration, and, as the Bridge said to the Lighthouse, “let your light shine again.”

Fear not the techno-babble

Deer In Headlines II

By Gery Deer

“Far out in the uncharted backwaters of the unfashionable end of the western spiral arm of the galaxy lies a small unregarded yellow sun. Orbiting this at a distance of roughly ninety-two million miles is an utterly insignificant little blue-green planet whose ape-descended life forms are so amazingly primitive that they still think digital watches are a pretty neat idea.”

That’s how British writer, Douglas Adams, described us in 1979 at the opening of his book, “The Hitchhikers Guide to the Galaxy.” Adams, who was an avid fan of technology, observed quite correctly that Humans, as a species, are pretty proud of their technological advancement, and can’t wait to define themselves by it.

Learning to get the most out of it, however, was another issue entirely. Even more challenging, if you happen to be one of those who choose the simple life of the Luddite, you could be left in the flotsam and jetsam of a digital tsunami.

Regardless of your generation, X, Y, Z, or PDQ, sometimes all this techno-babble can just make you feel … stupid. To start with, there’s the word – technology. It conjures visions of computer screens, smartwatches, and self-driving cars. But when “Hitchhikers” was published, most of that stuff was science fiction. Back then, a typewriter was still the prominent piece of office tech and the hottest new home entertainment was the video cassette recorder (VCR) – and none of us could set the clock.

I remember it well. There it was, that flashing, digital “12:00” that teased and mocked us from our easy chairs, daring only the bravest of the tech-savvy to make it do anything else. Little did we know that those four blinking LCD characters were the innocuous vanguard of a technological invasion soon to consume every first-world ape-descendent in the whole of this little blue-green planet. It would happen fast and in ways that no one could have ever anticipated. Resistance would be futile, even though some still try.

I don’t get why people struggle with technology – not so much its use, but the very idea of it. I used to think it was generational. But some people just refuse, age, education, and intelligence notwithstanding. Admittedly, I come at this from a unique perspective.

Even though I grew up a farm boy, I was always fascinated by advancing technology. I had one of the aforementioned digital watches and even taught myself programming on a Commodore VIC 20 home computer when I was 12. I went to college in engineering and computer science and worked in those fields in my early professional career.

For me, just like a hammer is for a carpenter, a smartphone or tablet computer is just another tool. They provide me with information and help me manage my personal and professional life.

As I get older, I understand how people can be resistant to change. But I’m not wired that way, at least where technology is concerned, I am constantly learning. I have an interest in science, technology, engineering, astronomy, all of it, so adjusting comes pretty easily to me.

Technology also improves medical care, public safety, and education for our kids. We have a responsibility to make it work for us, to apply those technologies that improve our lives, not take them over.

Like the first caveman who used a stick as a tool, eventually, most of us adapt to the tech that we’re forced to use. If you had a VCR and bore any hope of actually using the machine’s most sellable feature, recording TV shows we weren’t home to see, you learned to set the clock.

But it all might just be too much for some people, and, oddly, I kind of get it. Technophobia and digital fatigue are genuine problems, albethey somewhat self-induced. Keep in mind you don’t need every new high-tech gadget just because it’s popular.

To the tech-obsessed, I have one thing to tell you. Your Apple Watch might be cool, but it doesn’t have the answer to life the universe, and everything, so calm down. And, my old analog Timex may not have Bluetooth, but it actually shows the time, unlike the clock on my VCR – which is still flashing twelve.

One Moment, Please.

Deer In Headlines

By Gery L. Deer

It’s been said that times change, but moments don’t. The Cambridge Dictionary defines a moment as an indefinitely short period of time or particular occasion. In life, a moment generally represents an instant we can’t get back, one that we either cherish or regret, depending on its personal significance. Together, the moments we experience weave an intricate tapestry of our past, a delicate collage unique to each of us.

A single moment in life can challenge us forever, define us in completely new terms, open doors, or close the path to opportunities. It can be simultaneously life-changing and heartbreaking, glorious yet gut-wrenching.

We usually take those moments for granted, even when we should be paying more attention. Sadly, we are rarely given advance notice of the importance of any given moment. When a moment in life truly changes us and alters our perception, it’s usually either joyful or tragic, forever burned into our memory and our psyche.

Young children may be the luckiest of us because they live in the moment, constantly meeting the world with new wonder. Even if they don’t appreciate its significance, they experience every minute, the “now,” with unaware abandon. Unfortunately, maturity sometimes robs us of that wonder, replacing it instead with the day-to-day problems of life.

Wouldn’t it be great, though, if we could manage to slow time a bit, live more in the moment like kids, and better recognize the meaning and noteworthiness of one instant? As adults, the trick is first to recover the childlike vision that may have faded. Then we have to learn how to recognize the significance of a mere instant in the whole of our lives.

As they whiz past, like blurry telephone poles along the highway, recognition becomes increasingly difficult. But, while trying to capture the most important moments, we may completely miss them because we’re too busy trying to get a video of it on our mobile devices.

This big, bright, world is presented live, in 3-D, and high definition. Still, we stare through artificial eyes at a 3-inch screen in awe of the events unfolding before us. Unfortunately, while we’re trying to capture a digital memory, we’re missing the nuance of the moment. Genuinely seminal moments deserve our full attention.

It reminds me of people who are constantly snapping pictures during a fireworks display or their child’s school play. I get wanting a quick photo or video clip. But holding the phone up the entire time to watch through a screen minimizes the importance of the moment. Personally, if I’m there, I want to experience and appreciate what’s going on right in front of me.

With all their attention focused on some gadget, they miss the “IRL” visuals, the sounds, the reactions of those around them, and, most importantly, the company. These are meaningful, shared moments that will never come again. By the way, if you’re not up on your text-speak, IRL means “In Real Life.”

Staying in the present can be hard, no matter what we’re doing. A moment cannot be measured on a stopwatch or added as a calendar event. It’s here, you’re in it, then it’s gone, all at once. It’s up to each one of us to determine what it means, hopefully during but, at least after we have experienced it. We all have our own values system for guidance.

So the question remains, how do we create more mindful awareness in our daily lives? How do we appreciate those life-altering moments as they happen? I suppose I could just spout the same stuff you’d find if you Google all the self-help gurus. They’re going to say to do things like slow down, meditate, eat healthier, exercise, take in nature, put away your technology, and so on. There is certainly a place for all that. We should probably be doing all those things anyway.

Instead, I will only say this, paraphrasing one of the prolific producer Norman Lear’s television theme songs. “This is it, this is life, the one you get, so go and have a ball.” And it’s fine to snap a photo, but remember to be in the moment. Be present, put away all the tech, and experience life – IRL.

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Las Vegas Prop Company Hosts Whip Crackers, Trick Ropers and More at 1st Annual Wild West Arts Fest

Las Vegas, Nevada, April 2, 2019 – Western Stage Props, a stage and film prop supply company based in Las Vegas, Nevada, is sponsoring the 2019 Wild West Arts Fest, May 2^nd through the 4^th at The Orleans Hotel and Casino in Las Vegas. The festival consists of three full days of classes focused on the four classic Western art forms of gun spinning and handling, knife throwing, trick roping and whip cracking. The festival will also include open practice time, skill sharing sessions, lighthearted competitions, nightly events including a dinner show, and more.

The Western Arts are the performance skills that developed in the Old West, made famous since the earliest days of Wild West shows and cinema. While training in traditional variety arts such as juggling, dance and circus are now easier to find than ever, training in the Western Arts is limited to a select few who happen to be in the right place at the right time. This is where the organizers feel this festival is incredibly important.

Now under new ownership and management, Western Stage Props in Las Vegas has provided film and stage props for nearly three decades and specializes in Western Arts products such as whips, rope, throwing weapons, prop guns and trick saddles, as well as educational material. Their products have been featured in movies and theatrical productions including Indiana Jones and the world-famous Cirque Du Soleil. They are working to develop new products designed to bring the love of the Western Arts to a broader audience. Still, they have maintained the same high-quality items that make them the leader in Western performance equipment, that’s why they chose now to resurrect a long-loved tradition – the Wild West Arts Fest.

“Our event is all inclusive so anyone from an enthusiast to professional can participate and we believe having a place to meet up once a year to share and grow is vital to the Western community,” said Kyle Peterson, Western Stage Props manager. “We aim to unite the older generation and their deep history with a generation of newcomers looking to learn, grow and become a part of history. Even more important, our select teaching staff has grown out of the former Wild West Arts Conventions that originally brought so many wonderful performers together, where experts are thrilled to teach a new generation.”

The event is open to the public as either a full participant or a spectator. Discounted room rates are also available at the hotel by mentioning the event. Complete details are available by calling Western Stage Props at 702-873-1100 or online https://www.westernstageprops.com/Wild-West-Arts-Fest-s/1920.htm.

List of Teacher Performers Scheduled to Present at the 1^st Annual Wild West Arts Fest

AJ Silver was born and raised in The Bronx, New York. As a child, AJ was fascinated by the cowboy tales of the Wild West. Upon seeing his first rodeo at Madison Square Garden, he found his calling: He would be a rodeo trick rider! After graduation, AJ headed for the western trail and never looked back. Since AJ has traveled across the USA performing his western variety act combining trick roping, bullwhip artistry and boleadoras. His achievements include a lifetime of stage appearances, television spots on The Today Show, Good Morning America, MTV, ESPN, CNN, and most notably, the chance to trick ride at Madison Square Garden where his riding dreams were born.

David Adamovich better known as The Great Throwdini holds over 40 world records including being the world’s fastest and most accurate knife thrower.  A man of many talents David ‘s previous endeavors include a career as a paramedic, appearing at the 1967 World’s Fair as a partner acrobat with his twin brother and becoming an ordained minister. David began his knife throwing adventures as The Great Throwdini in his 50’s. He has appeared on Ripley’s Believe It or Not, America’s Got Talent, and Late Night with Conan O’Brien. And just when you thought his story couldn’t get any more interesting, David is the only knife thrower to ever perform The Veiled Double Wheel of Death (2 assistants behind a paper veil), no small feat.

Chris McDaniel is a long-time cowboy performing and teaching trick roping as well as delighting audiences with his whip cracking skills. Chris got his start on stage as a formally trained actor and singer, wanting to stand out in the crowd; he picked up a rope and fell in love with the Wild West. Chris has graced the stage in innumerable cabaret, variety and dinner theater stage shows across the county. His TV appearances include: Late Night with David Letterman and Best Week Ever with Neil Patrick Harris, but you may know him best from his career-defining role with the Broadway tour of The Will Roger’s Follies.

Paul Nolan is one of the county’s most revered whip artisans. Paul began the art of making whips as young adolescent learning from the best in the business. He spent countless years perfecting his craft. You can see him in action on The Discovery Channel’s How It’s Made as he takes you step by step through the labor-intensive process of making one of his beautiful art pieces. Paul has been commissioned by some of Hollywood’s biggest blockbusters to make whips including The Kingsman films, The Lone Ranger, Django Unchained, and the TV series Freakshow.

Loop Rawlins is a Wild West superstar. Launched to fame by his outstanding success on America’s Got Talent Loop has made an impressive career form rodeos to the red carpet. Born and raised in Tucson, Arizona, as a youngster Loop loved adventure movies and always had a knack for entertaining.  When he saw trick roping for the first time, he was inspired to learn the technique. Nowadays Loop can do it all: he is a gunslinger, rope spinner and whip cracker. After a 3-year run with Cirque Du Soliel in Viva Elvis, Loop can be seen opening for country music stars, performing for celebrities and stunt doubling in the major motion picture The Kingsman.

Gery Deer is a world-renowned veteran whip artist and coach and the founder of The Whip Artistry Studio in Jamestown, Ohio. Raised on a cattle farm in rural Ohio, he opened the studio in 1998 as the only permanent facility in the United States dedicated to the non-combative study of the whip for sports, fitness and performance art. The facility provides training for whip handling, targeting, competition performance, and fitness. Students of the whip studio include hobbyists, stage and stunt performers, and many performers who have worked as “Indiana Jones” in the Universal Studios’ Indiana Jones Stunt Spectacular. In addition to his work as a master whip coach, Gery has been a featured performer on stages around the country. He has appeared on countless television variety programs over his 30-year career including Steve Harvey’s Big Time, America’s Got Talent, The Bonnie Hunt Show, as well as the PBS series, Our Ohio. He also designs original whip holstering equipment and utility belts used by some of the largest production companies in the world including Universal Studios, Warner Brothers and 21^st Century Fox.

Wild West show at Annie Oakley Festival to feature local performers

 

Greenville, OH – Jamestown whip artist Gery L. Deer and Xenia thrown weapons expert, Kirk Bass, will lead a full troupe of whip artists, trick ropers, knife throwers and other Wild West arts experts during the 2018 American Western Arts Showcase during Annie Oakley Festival, July 27 and 28, at the Darke County Fairground in Greenville, Ohio. The event is free and open to the public.

Presented in the spirit of the stage-style Wild West shows of the late 19^th Century, each production will include some detailed history about how these arts came to be and who still practices them today. In addition to performing, Gery Deer is also the show’s producer and chief backer.

“This is a one-of-a-kind show in this region,” Deer says. “We have some of the best Wild West arts entertainment anywhere in the Midwest with real practitioners of each skill,” says Deer, who started the event in Jamestown, Ohio, in 2002. “These are talented performers with genuine ability, no fakery, no tricks. Everything you see in our show is real and all of our shows are in 3-D and high definition!”

Champion knife thrower Kirk Bass, of Xenia, Ohio, is co-producer of the event. He and his daring wife Melodee are among the performers to take the open-air stage for two shows on Saturday, July 28 beginning at 1 p.m. with a series of western arts perform the suspenseful Bass Blades impalement show, and much more.

Whip marksmanship competitions headline the afternoon show beginning with the National Whip Speed and Accuracy Exhibition Competition, the world’s only Bullwhip Fast Draw contest. Plus, there is a brand new contest taken straight from the big screen.

In 1981, a fedora-wearing, leather-clad archaeologist threw the crack heard round the world when he “whipped” a pistol from the hand of a jungle guide. At the beginning of “Raiders of the Lost Ark,” Indiana Jones demonstrated his skills with the holstered fast-draw of a 10-foot bullwhip, all while having to spin around to take aim first.

In the spirit of Dr. Jones’ proficiency, this year’s Showcase competition will include a special “blind fast draw,” where whip artists must mimic the move used in the film to turn, draw their holstered whip and shoot at a target with speed and accuracy.

“With the popularity of Indiana Jones among western performers, particularly whip artists, it’s odd this hasn’t been done before,” says Deer, who holds multiple, national whip speed and accuracy titles and is the director of The Whip Artistry Studio, the only permanent whip training facility in America. Contests begin at 1 p.m., followed immediately by a matinee performance at 2:30.

At 5:00p.m., visitors to the festival will see the Grand Western Showcase hosted by the music and comedy of Greene County’s own, The Brothers & Co. Variety Show. “We pull out all the stops on Saturday evening,” says Deer. “The Brothers & Co. Variety Show is an Americana-styled musical variety show from a by-gone era, full of comedy, magic, and some of the best four-part music on stage today. There will be nothing else like this anywhere at the festival!”

The event is sponsored by GLD Enterprises Communications, Ltd., The Brothers & Co. Variety Show, and the Annie Oakley Festival Committee. All performances are family friendly and presented on the grounds of the Annie Oakley Festival. For links to the festival and sneak previews of the performers plus more information go online to ohiowesternarts.org.

Extends Deadline, 2018 WOWA anthology now open for submissions

Dayton, Ohio, June 1, 2018 –The Western Ohio Writers Association (WOWA) is now accepting short story fiction submissions for their 2018 anthology themed, “Redemption, Reinvention, Revenge” (final title TBA), targeted for publication in Q4 2018.

The Western Ohio Writers Association was founded in 2008 as a resource for writers of all genre in the southwestern Ohio, southeastern Indiana, and northwestern Kentucky region. The organization provides monthly critique sessions, networking opportunities, workshops and education, and creative support.

This will be WOWA’s second anthology, having published its first, “Flights of Fiction,” in 2013. This time, however, rather than only member authors, submissions are open to writers outside the group.

“We are looking for innovative short fiction between 2,500 and 7,500 words. Stories should have diverse appeal and must incorporate one or more of the anthology theme’s concepts,” explained WOWA Executive Director, Gery L. Deer.  “All submissions must be original works that have not been previously published. We will choose approximately 15 stories for this anthology.”

Submissions are open to fiction writers 18 and up who are permanent residents of the following Ohio counties: Brown, Butler, Champaign, Clarke, Clermont, Clinton, Darke, Fayette, Franklin, Greene, Hamilton, Highland, Madison, Miami, Montgomery, Preble, Warren. Authors do not need to be members of WOWA in order to submit.

Submissions will be accepted between May 1, 2018 and now extended to August 31, 2018. Please either upload your manuscript document through our Submission Form page or send it as an email attachment to submissions@westernohiowriters.com. No more than two submissions per author, please. We will reject stories that include explicit sex, brutality, or pervasive profanity. We do not accept simultaneous submissions.

Full details and submission guidelines are available online at www.westernohiowriters.com, click on “WOWA Publications.”